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Niviem Filter S/H

Vintage Filter Sample/Hold + Mu-Tron Envelope

Component-level recreation of the 1974 Maestro FSH-1 / Oberheim VCF-200 sample/hold pedal — three modes (Filter, Sample/Hold, Envelope), five filter types, Leslie 122 cabinet stage, host tempo sync.

$20
Save 60%Intro Price (60% Off)
Regular $50
ManualQuick Start
Version
1.0.1
Released
May 2026
Formats
VST3, Audio Units
Platforms
macOS, Windows
Features

What Makes It Special

Three Authentic Modes

Filter (continuous LFO sweep — classic auto-wah), Sample/Hold (avalanche-noise stepped voltages — iconic computer bleeps), and Envelope (Mu-Tron III-style auto-wah driven by input dynamics, a Niviem addition).

Mu-Tron III Envelope Follower

Faithful Sensitivity 1×–12× (the Mu-Tron 'Drive' control) + Attack 0.5–50 ms continuous knob drive a peak-detector envelope. Speed becomes the release-time control in Envelope mode.

Five Filter Types

LP (authentic), BP (vocal/nasal), HP (thin/subtle), Notch (phaser-like), and Peak (EQ-like boost) outputs from the SVF — the original had LP only.

Five LFO Waveforms

Triangle (authentic), Sine, Square, Sawtooth and Random in Filter mode. The original triangle wave is preserved; the rest are modern extensions.

Leslie 122 Cabinet Stage

Authentic Leslie 122 rotating-speaker cabinet modelled from scratch. Switchable, fully bypassable, lifts the filter voice into territory the original pedal never reached.

State Variable Filter

True 12 dB/oct TPT (Topology-Preserving Transform) state variable filter. Musical, non-self-oscillating resonance, correct behaviour at all frequencies.

OTA-Style Saturation

Soft saturation modelling vintage operational transconductance amplifiers. Adds warmth with frequency-dependent Q reduction; the OTA's own tanh non-linearity shapes the envelope follower.

Tempo Sync

Lock LFO rate to host tempo with note divisions from 4 bars to 1/16 notes for rhythmic, locked filter patterns. Speed knob greys out + a sync glyph appears on the value readout.

41 Factory Presets + Six Categories

Filter (13), Sample/Hold (6), Envelope (8), Tempo Sync (4), Cabinet (6), Smooth Tone (4) — calibrated for level consistency (≤ 3 dB peak-to-peak at -12 dBFS). Full user save / load / rename system.

Premium Brushed-Metal UI + Nivipedia

Photoreal milled-aluminium knobs on a brushed-metal chassis, real-time envelope LED, value readouts on every drag, full keyboard navigation. Right-click any control for Reset to Default or 'What is this?' → opens the in-plugin Nivipedia entry.

Specifications

ModesFilter / Sample-Hold / Envelope
Filter TopologyTPT State Variable (Zavalishin)
Filter TypesLP, BP, HP, Notch, Peak
LFO WaveformsTriangle, Sine, Square, Sawtooth, Random
Speed Range0.05 Hz – 15 Hz (release: ms in Envelope mode)
Envelope Sensitivity1× – 12× (Mu-Tron III Drive)
Envelope Attack0.5 ms – 50 ms (continuous)
Range (Center Freq)80 Hz – 3000 Hz
ResonanceQ 0.5 – 10.0
Mix0–100% dry/wet
Tempo SyncOff / 4 Bars – 1/16
Cabinet StageLeslie 122 emulation (switchable)
Factory Presets41 across 6 categories
Oversampling2× (saturation stage)
Sample Rates44.1 kHz – 192 kHz

Highlights

  • Component-level emulation of the 1974 Maestro FSH-1 / Oberheim VCF-200
  • Three modes: Filter, Sample/Hold, Envelope (Mu-Tron III auto-wah, Niviem addition)
  • Five filter types: LP, BP, HP, Notch, Peak (original was LP only)
  • Five LFO waveforms in Filter mode (original was triangle only)
  • Authentic Leslie 122 rotating-cabinet stage, switchable
  • Tempo Sync from 4 bars to 1/16 notes for rhythmic patterns
  • Mix control for parallel processing (dry/wet blend)
  • 41 factory presets in 6 categories + full user preset system
  • In-plugin Nivipedia — right-click any control for context-aware help
  • Brushed-metal chassis + photoreal milled-aluminium knobs
  • < 1 ms latency for live performance

Under the Hood

TPT (Topology-Preserving Transform) filter implementation
Vadim Zavalishin 'Art of VA Filter Design' methodology
LM741 triangle-wave LFO + avalanche-noise sample/hold modelled at component level
Per-OTA tanh saturation; same non-linearity shapes the envelope follower
Mu-Tron III peak detector → tanh → sqrt perceptual mapping for Envelope mode
tanh-based soft clipping with 2× oversampling on the saturation stage
Frequency-dependent Q reduction emulating OTA bandwidth
Gaussian noise via Box-Muller transform

System Requirements

macOS

  • macOS 11.0 (Big Sur) or later
  • Intel or Apple Silicon (Universal Binary)
  • AU or VST3 compatible host

Windows

  • Windows 10 or later (64-bit)
  • VST3 compatible host