Overview
NIVIEM Dunya is a complete modular creative sound design workstation that lets you build immersive three-dimensional sonic worlds on a single audio track.
Dunya represents a departure from pure hardware emulation into original creative territory. While individual components draw inspiration from legendary analog circuits, the overall architecture and many features are completely original designs.
Key Features
- Three-Channel Split/Sum Architecture: Signal splits into three independent parallel channels, each with its own BBD delay, effect, and output section
- Moog-Style Ladder Filter: World-class 4-pole transistor ladder with innovative FROM/TO LFO sweep control
- Triple MN3005 BBD Delays: Three independent bucket-brigade delays with SA572 companding
- Three Vintage Effects Per Channel: PS-1 optical phaser, FSH-1 filter S/H, Ludwig Phase II dual formant filter
- Semi-Modular Patch System: Visual Eurorack-inspired canvas with original Split and Route modes
- 16-Slot Modulation Matrix: Route any source to any destination with full creative control
- Nivipedia Encyclopedia: 60+ built-in educational articles
- 30+ Factory Presets: Ambient, delays, modulation, creative, and experimental categories
- Four Quality Modes: Draft (1×) to Ultra (8×) oversampling
What Makes Dunya Different
Unique Three-Channel Split/Sum Architecture
Dunya's signal splits into three independent parallel channels, each with its own delay, effect, and output section. These channels then sum back together at the master output.
This architecture enables:
- 3D soundscapes on a single track — Pan channels L/C/R with different processing
- Complex polyrhythmic delays — Different delay times create intricate patterns
- Layered textures — Stack different effects across channels
- Stereo depth and movement — Each channel contributes differently to the stereo field
Original Split vs Route Modes
When routing signals between channels, Dunya offers two original modes:
| Mode | Behavior |
|---|---|
| Split | Signal goes to BOTH destinations — source continues its normal chain AND destination receives a copy |
| Route | Signal is REDIRECTED — source's downstream is muted, all signal goes to destination |
This gives you the flexibility to create either parallel processing (Split) or serial chains (Route) with a single click — something that would require complex hardware patching in a traditional setup.
FROM/TO LFO System
Instead of a single LFO depth parameter, Dunya's filter LFO uses FROM and TO frequency controls:
- LFO From: The lower boundary of the sweep
- LFO To: The upper boundary of the sweep
This makes setting up filter sweeps incredibly intuitive — you define exactly where the sweep starts and ends, rather than calculating depth percentages.
Nivipedia - Built-in Encyclopedia
Dunya includes Nivipedia, a complete interactive encyclopedia with 60+ educational articles covering audio fundamentals, waveforms, filter theory, modulation concepts, effect explanations, routing concepts, and Dunya-specific features.
Click any unfamiliar term to learn what it means and how to use it creatively.
Four Drive Modes
| Mode | Character |
|---|---|
| Ladder | Subtle internal ladder filter saturation |
| BJT | Bright, punchy bipolar transistor |
| JFET | Warm, tube-like field-effect |
| TL072 | Crunchy op-amp from classic delay circuits |
Three Feedback Modes
| Mode | Character |
|---|---|
| Clean | Pristine, linear feedback |
| Analog | Moog-style soft threshold saturation |
| Dirty | Acid-style harmonic distortion |
Installation
System Requirements
| Platform | Requirements |
|---|---|
| macOS | 11.0 (Big Sur) or later, Intel or Apple Silicon |
| Windows | Windows 10/11 (64-bit), WebView2 Runtime required |
- Formats: Audio Unit (AU - macOS only), VST3 (macOS & Windows)
- DAW: Logic Pro, GarageBand, Ableton Live, Cubase, Studio One, Reaper, Bitwig, or any AU/VST3 host
- RAM: 4 GB minimum, 8 GB recommended
- Disk Space: ~100 MB
macOS Installation
- Download the NIVIEM Dunya installer
- Run the installer and follow on-screen instructions
- The plugin will be installed to:
- AU:
~/Library/Audio/Plug-Ins/Components/Niviem Dunya.component - VST3:
~/Library/Audio/Plug-Ins/VST3/Niviem Dunya.vst3
- AU:
- Restart your DAW
- Scan for new plugins if required
Manual Installation:
- Copy
Niviem Dunya.componentto~/Library/Audio/Plug-Ins/Components/ - Copy
Niviem Dunya.vst3to~/Library/Audio/Plug-Ins/VST3/ - Restart your DAW
Gatekeeper Note: If macOS blocks the plugin, go to System Preferences → Security & Privacy → General and click "Open Anyway."
Windows Installation
- Download the NIVIEM Dunya installer (.exe)
- Run the installer as Administrator
- The plugin will be installed to:
- VST3:
C:\Program Files\Common Files\VST3\Niviem Dunya.vst3
- VST3:
- Restart your DAW
- Scan for new plugins if required
WebView2 Note: If you see a message about WebView2, download the Microsoft WebView2 Runtime from: https://developer.microsoft.com/en-us/microsoft-edge/webview2/
Signal Flow Architecture
Default Signal Flow
┌──────────────────────────────────────────┐
│ AUDIO INPUT │
└────────────────────┬─────────────────────┘
│
▼
┌──────────────────────────────────────────┐
│ INPUT SECTION │
│ Drive / Type / Feedback Mode / Drift │
└────────────────────┬─────────────────────┘
│
▼
┌──────────────────────────────────────────┐
│ GLOBAL LADDER FILTER │
│ Cutoff / Resonance / Mode / Poles │
└────────────────────┬─────────────────────┘
│
┌───────────────────────┼───────────────────────┐
│ │ │
▼ ▼ ▼
┌────────────────┐ ┌────────────────┐ ┌────────────────┐
│ CHANNEL 1 │ │ CHANNEL 2 │ │ CHANNEL 3 │
│ │ │ │ │ │
│ [BBD DELAY] │ │ [BBD DELAY] │ │ [BBD DELAY] │
│ ▼ │ │ ▼ │ │ ▼ │
│ [EFFECT] │ │ [EFFECT] │ │ [EFFECT] │
│ ▼ │ │ ▼ │ │ ▼ │
│ [OUTPUT] │ │ [OUTPUT] │ │ [OUTPUT] │
│ Level / Pan │ │ Level / Pan │ │ Level / Pan │
└───────┬────────┘ └───────┬────────┘ └───────┬────────┘
│ │ │
└──────────────────────┼──────────────────────┘
│
▼
┌──────────────────────────────────────────┐
│ MASTER OUTPUT │
│ (channels summed together) │
└──────────────────────────────────────────┘
Processing Flow Description
| Stage | Component | Function |
|---|---|---|
| 1 | Audio Input | Stereo audio enters the plugin |
| 2 | Input Section | Drive saturation, character shaping |
| 3 | Global Filter | Moog-style ladder filter processing |
| 4 | Split | Signal divides into three identical copies |
| 5 | Per-Channel Processing | Each copy: Delay → Effect → Output |
| 6 | Sum | All three channels mix together |
| 7 | Master | Final level, width, and dry/wet control |
Custom Routing Examples
Using the Patch Manager, you can create:
Serial Chain:
FILTER → CH1 Delay → CH1 Effect → CH2 Delay → CH2 Effect → CH3 Delay → CH3 Effect → MASTER
Parallel Effects Only:
INPUT → CH1 Effect
→ CH2 Effect → MASTER
→ CH3 Effect
Cross-Feedback:
CH1 FB Return ← CH2 Output
CH2 FB Return ← CH3 Output
CH3 FB Return ← CH1 Output
Global Filter Section
The global Moog-style ladder filter processes the entire signal before it splits to channels. This is the same acclaimed filter found in NIVIEM Daria.
Cutoff (20 Hz – 12,000 Hz)
Controls where the filter begins affecting the signal.
| Range | Character |
|---|---|
| 20-200 Hz | Deep, sub-bass only |
| 200-1000 Hz | Warm, muted |
| 1000-4000 Hz | Vocal, present |
| 4000-12000 Hz | Bright, open |
Resonance (0% – 100%)
Boosts frequencies at the cutoff point.
| Range | Character |
|---|---|
| 0-25% | Subtle emphasis |
| 25-50% | Musical resonance |
| 50-75% | Pronounced peak |
| 75-100% | Self-oscillation |
At high resonance, the filter self-oscillates, producing a pure sine wave at the cutoff frequency. This is authentic Moog behavior.
Filter Mode
| Mode | Description |
|---|---|
| LP | Lowpass — removes highs, classic Moog |
| HP | Highpass — removes lows, thin/bright |
| BP | Bandpass — removes both extremes, focused |
Filter Poles (1-4)
| Poles | Slope | Character |
|---|---|---|
| 1-pole | 6 dB/oct | Gentle, subtle |
| 2-pole | 12 dB/oct | Moderate |
| 3-pole | 18 dB/oct | Musical |
| 4-pole | 24 dB/oct | Classic Moog |
Filter LFO & Envelope Follower
Filter LFO
FROM/TO System
Unlike traditional LFOs with a single depth control, Dunya uses FROM and TO frequency parameters:
- LFO From (20-12000 Hz) — Lower boundary of sweep
- LFO To (20-12000 Hz) — Upper boundary of sweep
Example: Set From=200 Hz, To=2000 Hz, Rate=0.5 Hz for a classic slow filter sweep.
This system makes it intuitive to define exactly where your filter sweep starts and ends.
LFO Rate (0-20 Hz)
| Rate | Character |
|---|---|
| 0 Hz | LFO OFF |
| 0.1-0.5 Hz | Slow, evolving |
| 0.5-2 Hz | Classic auto-wah |
| 2-10 Hz | Fast tremolo-like |
| 10-20 Hz | Audio-rate modulation |
LFO Wave
| Waveform | Character |
|---|---|
| Sine | Smooth, rounded |
| Triangle | Linear sweeps |
| Sawtooth | Ramp up, quick reset |
| Square | Abrupt switching |
| S&H | Random stepped |
| Random | Smooth random |
LFO Sync
Lock the LFO to host tempo with selectable divisions from 4 bars to 1/32T.
Envelope Follower
The envelope follower tracks input dynamics and converts them to filter modulation.
| Parameter | Range | Description |
|---|---|---|
| Sensitivity | 0-100% | How much input affects envelope |
| Attack | 0.1-100 ms | Response to rising levels |
| Release | 10-2000 ms | Decay after level drops |
| Amount | -100% to +100% | How much envelope modulates cutoff |
Positive amount: Louder = higher cutoff (touch-wah) Negative amount: Louder = lower cutoff (ducking)
Character Section
Drive (0-100%)
Adds saturation to the filter for warmth and harmonics.
Drive Mode
| Mode | Character |
|---|---|
| Ladder | Subtle internal ladder saturation |
| BJT | Bright, punchy bipolar transistor |
| JFET | Warm, tube-like field-effect |
| TL072 | Crunchy op-amp (inspired by MF-104M input) |
Feedback Mode
Controls both filter resonance and delay feedback character:
| Mode | Character |
|---|---|
| Clean | Pristine, linear |
| Analog | Moog-style soft limiting |
| Dirty | Acid-style harmonic distortion |
Drift
Enables thermal drift simulation — subtle pitch and timing variations that give analog gear its "living" quality.
Per-Channel Delay Section
Each channel has an independent BBD delay engine inspired by the legendary MN3005 bucket-brigade device.
Delay Time (20-800 ms)
| Mode | Stages | Range | Character |
|---|---|---|---|
| SHORT | 4096 | 40-400 ms | Brighter, detailed |
| LONG | 8192 | 80-800 ms | Darker, smoother |
Feedback (0-110%)
| Range | Character |
|---|---|
| 0-30% | Few repeats |
| 30-60% | Medium sustain |
| 60-90% | Long trails |
| 90-110% | Runaway feedback |
BBD Features
| Feature | Description |
|---|---|
| Companding | SA572-style log-domain noise reduction |
| Clock Bleed | Authentic BBD clock noise (use sparingly) |
Delay Sync
Lock delay time to host tempo with note divisions from 1/32 to 4 bars, including triplet and dotted values.
Per-Channel LFO Section
Each channel has a dedicated LFO for delay time modulation.
Rate (0.01-20 Hz)
| Rate | Effect |
|---|---|
| 0.1-0.5 Hz | Slow, dreamy |
| 0.5-2 Hz | Classic chorus |
| 2-5 Hz | Vibrato |
| 5-20 Hz | Extreme warble |
Depth (0-100%)
| Depth | Effect |
|---|---|
| 0% | No modulation |
| 5-15% | Subtle chorus |
| 15-30% | Obvious chorus |
| 30-100% | Heavy pitch effects |
Waveform
Sine, Triangle, Sawtooth, Square, S&H — each creates different modulation character.
LFO Sync
Lock LFO rate to host tempo for rhythmically synchronized modulation.
Per-Channel Effect Section
Each channel can process through one of three vintage-inspired effects or be bypassed.
PS-1 Phaser
Six-stage optical phaser inspired by classic designs.
- Six cascaded all-pass filter stages
- Leslie-style speed ramping between Slow/Med/Fast
- Smooth, sweeping phase cancellation
Speed Modes:
| Mode | Rate |
|---|---|
| Slow | 0.5 Hz |
| Medium | 1.0 Hz |
| Fast | 6.0 Hz |
Best for: Sustained sounds, pads, organs, arpeggios
FSH-1 Filter S/H
State variable filter with sample/hold modulation, inspired by vintage designs.
Modes:
| Mode | Description |
|---|---|
| Sweep | Triangle LFO sweeps cutoff (auto-wah) |
| Step | S&H random changes (bleeps and bloops) |
| Glide | Smoothed S&H (underwater textures) |
Parameters:
- Rate: LFO/S&H speed
- Freq: Center frequency
- Reso: Filter resonance
- Mix: Effect wet/dry
Best for: Funky auto-wah, sci-fi effects, random bleeps
Ludwig Phase II
Dual formant filter inspired by the legendary Phase II Guitar Synthesizer (~150-200 units ever made).
Trajectory Modes:
| Mode | Description |
|---|---|
| Parallel | F1/F2 sweep together |
| Counter | F1/F2 sweep opposite directions |
| Vowel | Asymmetric "yoy-yoy" (signature sound) |
Best for: Talking filters, vocal-like sounds, experimental textures
Bypass
No effect processing — pure delay output passes through.
Patch Manager (Semi-Modular Routing)

Opening the Patch Manager
Click the PATCH button to open the visual routing canvas.
Understanding the Canvas
The patch canvas shows:
- Nodes — Processing stages (Input, Filter, Delay, Effect, Output per channel)
- Lines — Signal connections (solid = normalled, colored = custom)
- Input Points — Square connectors where you can change the source
Source Selectors
Each input can receive signal from:
| Source | Description |
|---|---|
| NORM | Default normalled connection from previous stage |
| INPUT | Raw input signal before filter |
| FILTER | Global filter output |
| CH1 | Route from Channel 1 |
| CH2 | Route from Channel 2 |
| CH3 | Route from Channel 3 |
Stage Selectors
When routing from another channel, choose which stage:
| Stage | Signal Point |
|---|---|
| Input | After split, before delay |
| Delay | After BBD delay |
| Effect | After effect |
| Output | Final channel output (before pan) |
Split vs Route Mode
Split Mode (Parallel)
Signal goes to both destinations:
CH1 Delay Output ─┬─→ CH1 Effect (normal flow continues)
└─→ CH2 Effect (patched destination)
Use Split mode for:
- Parallel processing
- Layering textures
- Adding thickness
- Safe experimentation (original path intact)
Route Mode (Serial)
Signal is redirected; source downstream is muted:
CH1 Delay Output ───→ CH2 Effect
CH1 Effect (MUTED — receives nothing)
Use Route mode for:
- Serial chains
- Clean signal paths (no doubling)
- Dedicated routing
- Creative re-architecture
Visual Feedback
- Solid lines — Normalled (default) connections
- Colored lines — Custom routing
- Dimmed nodes — Muted due to Route mode
- Bright nodes — Active (receiving signal)
Routing Presets
| Preset | Description |
|---|---|
| Default | Standard parallel flow |
| Serial | CH1 → CH2 → CH3 cascade |
| Parallel | All channels from filter |
| Stereo | CH1 left, CH3 right |
| Feedback Loop | Cross-channel feedback |
| Delay Only | Bypass all effects |
| Effects Only | Bypass all delays |
| Pure Delay | Bypass filter and effects |
Modulation Matrix

The 16-slot modulation matrix routes any source to any destination with full creative control.
Opening Modulation Matrix
Click the MOD button to open the modulation matrix panel.
Sources
| Source | Type | Description |
|---|---|---|
| LFO 1/2/3 | Bipolar | Channel delay LFOs |
| Effect LFO 1/2/3 | Bipolar | Channel effect LFOs |
| Env 1/2/3 | Unipolar | Channel envelopes |
| Level 1/2/3 | Unipolar | Channel audio levels |
| Random | Bipolar | Sample & Hold |
| Mod Wheel | Unipolar | MIDI CC1 |
| Expression | Unipolar | MIDI CC11 |
| Velocity | Unipolar | MIDI |
| Aftertouch | Unipolar | MIDI |
| Pitch Bend | Bipolar | MIDI |
| Master Level | Unipolar | Overall level |
Destinations (Per Channel)
- Delay Time, Feedback, Delay Mix
- LFO Rate, LFO Depth
- Effect Rate, Effect Freq, Effect Reso, Effect Mix
- Channel Level, Channel Pan
Global Destinations
- Master Level
Creating a Modulation
- Click on an empty slot
- Select Source from dropdown
- Select Destination from dropdown
- Adjust Amount (-100% to +100%)
- Toggle Enable to activate
Modulation Ideas
| Goal | Source | Destination | Amount |
|---|---|---|---|
| Auto-pan | LFO 1 | CH1 Pan | 50% |
| Dynamic feedback | Env 1 | CH1 Feedback | -30% |
| Expression mix | Mod Wheel | Master Level | 100% |
| Random variation | Random | CH2 Delay Time | 10% |
| Cross-modulation | Level 1 | CH2 LFO Rate | 25% |
Nivipedia - Built-in Encyclopedia
Dunya includes Nivipedia, a complete interactive encyclopedia with 60+ educational articles.
Accessing Nivipedia
Click the NIVIPEDIA button in the header to open the encyclopedia modal.
Categories
| Category | Topics |
|---|---|
| Fundamentals | Signal, Frequency, Amplitude, Harmonics, Formants |
| Waveforms | Sine, Square, Triangle, Sawtooth, S&H, Random |
| Filters | Cutoff, Resonance, Ladder, Self-Oscillation, Modes, Poles |
| Modulation | LFO, Envelope Follower, Matrix, Sources, Destinations |
| Effects | BBD, Delay, Phaser, Companding, Clock Bleed |
| Routing | Patch Points, Signal Flow, Split/Route, Normalled |
| Dunya | Drive Modes, Three-Channel System, Patch System |
Features
- Search — Find any topic instantly
- Related Topics — Navigate between connected concepts
- Tips — Practical usage suggestions
- Warnings — Important considerations
Nivipedia makes Dunya not just a creative tool, but also an educational resource for understanding synthesis and effects.
Output Section
Per-Channel Output
| Parameter | Range | Description |
|---|---|---|
| Level | -12 to +12 dB | Channel output level |
| Pan | -100 to +100 | Stereo position |
| Mute | Toggle | Silence channel |
| Solo | Toggle | Solo this channel |
Master Output
| Parameter | Range | Description |
|---|---|---|
| Mix | 0-100% | Global dry/wet |
| Output | -12 to +12 dB | Master level |
| Spread | 0-200% | Stereo width |
| Mono | Toggle | Sum to mono |
| Bypass | Toggle | Bypass entire plugin |
Factory Presets
NIVIEM Dunya includes 30+ professionally designed factory presets organized by category.
INIT / Utility
| Preset | Description |
|---|---|
| Init | Clean starting point |
| Bypass | All processing bypassed |
| Pure Filter | Filter only, no delays/effects |
Classic Delays
| Preset | Description |
|---|---|
| Tape Echo | Classic tape delay with modulation |
| Ping Pong | Stereo bounce effect |
| Slapback | Rockabilly short delay |
| Dub Delay | Heavy feedback reggae style |
| Analog Delay | Clean repeats with warmth |
| Multi-Tap | Three distinct delay taps |
Modulation
| Preset | Description |
|---|---|
| Chorus | Classic ensemble effect |
| Thick Chorus | Deep stereo chorus |
| Flanger | Jet sweep effect |
| Vibrato | Pitch wobble |
| Phaser | Phase sweep |
| Tremolo | Volume modulation |
| Auto-Pan | Stereo movement |
Ambient / Pads
| Preset | Description |
|---|---|
| Ambient Wash | Ethereal pad enhancer |
| Shimmer | Bright ethereal delays |
| Dream Delay | Long feedback, subtle modulation |
| Space | Wide stereo field |
| Frozen | Infinite feedback |
Creative / Experimental
| Preset | Description |
|---|---|
| Glitch Machine | Random chaos |
| Space Echo | RE-201 style |
| Lo-Fi | Degraded signal |
| Sidechain Pump | EDM pumping |
| Stutter | Rhythmic glitches |
| Feedback Chaos | Cross-channel feedback |
Preset Management
Saving User Presets
- Adjust all parameters to desired settings
- Click the + button in the preset header
- Enter a preset name
- Click Save
Loading Presets
- Click the preset dropdown
- Select from Factory or User presets
- Parameters update immediately
Deleting User Presets
- Open the preset dropdown
- Click the × next to a user preset
- Confirm deletion
Preset File Location
macOS:
~/Library/Application Support/NIVIEM/Niviem Dunya/Presets/UserPresets.xml
Windows:
C:\Users\[Username]\AppData\Roaming\NIVIEM\Niviem Dunya\Presets\UserPresets.xml
Quality Modes
Available Modes
| Mode | Oversampling | CPU | Use Case |
|---|---|---|---|
| Draft | 1× | Lowest | Live performance |
| Standard | 2× | Low | Tracking |
| Studio | 4× | Medium | Mixing |
| Ultra | 8× | Highest | Mastering |
Recommendations
- Use Draft mode during composition for lowest latency
- Switch to Standard for tracking sessions
- Use Studio or Ultra for final mixing and bouncing
- Higher oversampling reduces aliasing artifacts in saturation stages
MIDI Integration
MIDI Messages in Modulation Matrix
| Message | Type | Use |
|---|---|---|
| Velocity | Unipolar | Dynamics-based modulation |
| Mod Wheel (CC1) | Unipolar | Expression control |
| Expression (CC11) | Unipolar | Volume/filter sweeps |
| Aftertouch | Unipolar | Pressure modulation |
| Pitch Bend | Bipolar | Parameter sweeps |
Setting Up MIDI Control
- Open the Modulation Matrix (MOD button)
- Select a MIDI source (Velocity, Mod Wheel, etc.)
- Choose your destination parameter
- Set the amount
Common MIDI Setups
| Control | Destination | Use |
|---|---|---|
| Mod Wheel | Filter Cutoff | Real-time filter control |
| Expression | Master Mix | Performance fade |
| Velocity | Envelope Amount | Dynamic response |
| Aftertouch | Delay Feedback | Pressure-controlled feedback |
Creative Applications
Ambient / Atmospheric
- Long delay times with high feedback
- Three channels panned L/C/R
- Slow LFO modulation on each channel
- PS-1 phaser for movement
Film / Soundtrack
- Different delay times for spatial depth
- Route mode for clean signal paths
- Envelope follower for responsive dynamics
- Ludwig effect for otherworldly textures
Noise / Experimental
- Cross-channel feedback routing
- High feedback pushing into oscillation
- FSH-1 in Step mode for random bleeps
- Clock bleed enabled for lo-fi character
Alternative / Indie
- Moderate feedback for rhythmic delays
- Different effects per channel
- Tempo-synced delays
- Analog feedback mode for warmth
EDM / Electronic
- Tempo-synced triplet delays
- Sidechain envelope follower
- Rhythmic filter sweeps
- Parallel processing for width
Using as Premium Individual Effects
Bypass what you don't need:
- Just the filter — Delays at 0% mix
- Just the delay — Effects bypassed, filter open
- Just the effects — Route INPUT directly to EFFECT
Technical Specifications
Audio Specifications
| Parameter | Value |
|---|---|
| Sample Rates | 44.1 kHz – 192 kHz |
| Bit Depth | 32-bit float internal |
| Channels | Stereo |
| Latency | Zero (real-time safe) |
Architecture
| Component | Specification |
|---|---|
| Filter | TPT Moog ladder, 1-4 poles |
| BBD Engine | MN3005-inspired, clock-dependent filtering |
| Companding | SA572 log-domain |
| Oversampling | Halfband polyphase, 1×-8× |
| DC Blocking | 20 Hz high-pass |
BBD Specifications
| Mode | Stages | Range |
|---|---|---|
| SHORT | 4096 | 40-400 ms |
| LONG | 8192 | 80-800 ms |
Parameter Count
Total: 200+ parameters covering filter, delay, effects, routing, and modulation.
Troubleshooting
No Sound
- Check bypass is OFF
- Check Mix > 0%
- Check channel mute/solo states
- Check signal flow in Patch Manager
- Verify audio is reaching the plugin
Unexpected Signal Flow
- Open Patch Manager
- Check for Route mode (source downstream muted)
- Reset to Default preset if needed
High CPU
- Lower Quality Mode (use Draft or Standard)
- Disable unused channels
- Disable Drift and Clock Bleed
- Reduce oversampling
Crackling or Glitches
- Increase your DAW's buffer size
- Lower Quality Mode
- Check for CPU overload in other plugins
- Close plugin GUI when not needed
Windows WebView2 Error
- Download WebView2 Runtime from Microsoft
- Install and restart your DAW
Plugin Not Appearing in DAW
- Rescan plugins in your DAW
- Check plugin is in correct folder:
- AU (macOS):
~/Library/Audio/Plug-Ins/Components/ - VST3 (macOS):
~/Library/Audio/Plug-Ins/VST3/ - VST3 (Windows):
C:\Program Files\Common Files\VST3\
- AU (macOS):
- Restart your DAW
Credits & References
Development
Developed by Milan Vasiljev / NIVIEM
Technical Inspiration
| Reference | Use |
|---|---|
| Moog Transistor Ladder (1966) | Filter topology |
| Matsushita MN3005 BBD | Delay architecture |
| SA572 Compandor | Noise reduction |
| Vadim Zavalishin | "The Art of VA Filter Design" — TPT topology |
| Classic Maestro Effects | Phaser and filter designs |
| Ludwig Phase II | Dual formant filter |
Trademark Notice
NIVIEM Dunya is an independent product not affiliated with, endorsed by, or sponsored by any of the companies whose products may have inspired certain features. References to vintage equipment describe sound characteristics and historical context for educational purposes only. All third-party trademarks are the property of their respective owners.
Version History
Version 1.0 (January 2026)
- Initial release
- Three-Channel Split/Sum Architecture: Original design for building 3D soundscapes
- Moog-Style Ladder Filter: World-class 4-pole filter with FROM/TO LFO control
- Triple MN3005 BBD Delays: Three independent delays with SA572 companding
- Three Vintage Effects Per Channel: PS-1, FSH-1, Ludwig Phase II
- Semi-Modular Patch System: Visual routing with Split and Route modes
- 16-Slot Modulation Matrix: Full creative control
- Nivipedia Encyclopedia: 60+ built-in educational articles
- 30+ Factory Presets: Ambient, delays, modulation, creative, experimental
- Four Quality Modes: Draft to Ultra oversampling
- Cross-Platform Support: macOS (Universal Binary) + Windows
© 2026 Milan Vasiljev. All Rights Reserved.
NIVIEM® is a trademark of Milan Vasiljev.
For support: milan.vasiljev.work@gmail.com